Holiday Books by Favorite Authors to Gift (or not)
All three of these authors are great genre, mystery writers and of course, during the holidays publishers pay big to have them produce a yearly offering of suspense for their waiting readers. I’m one of those readers and was happy to buy their latest tales of intrigue this Christmas season. Sadly though, I only thoroughly read and enjoyed one of them. The other two books I either skimmed through portions of, or in the case of one, I completely stopped reading it somewhere in the middle. How could such solid writers go so wrong?
First let’s talk about The Witch Elm. I fully confess that I’m a Tana French groupie. I’ve read every one of her books. In The Witch Elm French introduces us to Toby, a man with a family and a past. Toby comes home from a night of drinking and is mugged in his apartment for unclear reasons. His wounds are slow to heal so he decides to go live with his Uncle Hugo who’s dying of cancer. Then a human skull is found in the trunk of an old elm tree on Uncle Hugo’s property, the Ivy House. The authorities are called and the suspense builds—except it doesn’t really. And that’s a problem.
French, as usual, is viscerally descriptive in The Witch Elm, dressing down a scene or a character like no other: “ . . . stark and runic as black twigs on snow . . .long, buttery streaks of light on dark wood . . . A girl in a floppy red velvet hat . . . Eastern European accent, wrists bending like a dancer’s.” Sometimes with authors like French it’s just a joy to read the way they put words together. But at 528 pages those words need to go somewhere. They have to do something—something big. This was my first French book to put aside without finishing it. I hope it’s my last.
The Reckoning by John Grisham has a fascinating premise. It’s the 1940’s in Clanton, Mississippi when Pete Banning, cotton farmer and war hero, decides he has to kill someone. There’s no way around it. He makes sure his institutionalized wife and his two grown children are well taken of as he fully expects to either die in the electric chair or be sent to prison for life. At first we don’t know who he’ll kill, and when we find out it’s the popular, local Methodist minister that Pete murders, we don’t know why.
We don’t know why Pete decided to kill the minister until the last few chapters. Which is okay. As a reader, I’m willing to enjoy Grisham’s breezy prose and skillful story telling as long as he sticks to one tale. But apparently in an attempt to fully explore the character of Banning and his motives, Grisham digresses mightily from his main story line. For almost a third of the book we find ourselves in the Philippine islands with Banning suffering through the infamous Bataan Death March. I like military history some, but not placed in the middle of a southern Gothic mystery with only a thin thread linking the two. So, I began to skim read. At least I finished the book and found the ending interesting. Why didn’t Grisham use some of his Philippine pages to flesh out his ending more? It would have been such a better read.
I did finish Michael Connelly’s latest book, Dark Sacred Night. Connelly is another wildly popular author of police procedurals, of which I’ve read nearly every one. What usually hooks me on Connelly’s writing is how methodical he is, detailing the crime, the suspects, the scene, and the investigation as performed by his crusty protagonist, Harry Bosch. In this latest novel, Bosch, along with a new Connelly detective, part-time surfer girl Renee Ballard, are attempting to find the murderer in a cold, unsolved case involving a young prostitute who was killed several years ago. Complicating the investigation is that Bosch houses the murder victim’s mother, a drug addict, in order to help her stay clean. Both Bosch and Ballard operate near the fringe of appropriate conduct for police professionals. It’s a slow boiling mystery, but I eventually found myself turning pages faster and faster to see how it all ends. That’s the sign of an enjoyable read.